MARC

 008191230s2019        gak              d            a    kor
■0010007385057
■00520200301141533
■020    ▼a9791135600678(전자책)▼g05680
■056    ▼a801▼24
■1001  ▼a김정진▼q金井鎭▼d1886-1936
■24510▼a연극의  기원과  희랍극의  고찰▼h[전자책]▼d김정진  지음
■256    ▼a전자  데이터
■260    ▼a홍천군▼b토지▼c2019▼f(교보문고▼g2019)
■300    ▼a전자책  1책  ▼b천연색
■516    ▼aePUB
■520    ▼a희랍극의  기원인  '디오니소스'신  외  제례시(祭例時)로부터  창시되었다하면,  조선에도  고대  즉  단군  시대로부터  천(天)을  제(祭)하고  그  제례에  다수한  군중이  회집하여  형형색색의  가면을  쓰고  각종의  유희와  여흥을  행하던  사실이  역사에  전하는  것을  보면  조선극의  창시가  도리어  희랍극의  기원이  기(幾)세기  이전이었던  것을  증명할  수  있다.  그러나  현대극의  발전상태는  어떠한가?  희랍극의  계통을  수(受)한  구미(歐米)에서는  연극의  발달이  절정에까지  달하였고  조선에는  중고에  극의  형식을  무던히  형성하였든  '산희(山)'  즉  속칭  산두장패(山頭匠牌)와  '야희(野)'(현(現)에  호남  지방에서  혹간  하는  들놀이)  등의  극적  유희까지  그  종적이  묘연하게  되어  조선극의  고적(古蹟)은  장차  가고(可考)할  여지도  없게  되어  감은  실로  애석할  사(事)이다
■653    ▼a문학이론▼a문학연구
■85641▼uhttp://guebook.gu.ac.kr:8085/Content_check.asp?barcode=4801135600679
■9500  ▼b\1800

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